[인터뷰②] '내 손끝에' 원태민 "철저한 계획형 J, 키스 씬은 돌발성…

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[스포츠W 노이슬 기자]인터뷰①에서 이어집니다

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.com/delivery/adjs?media_id=1&zone_id=5><\/script>'); } '내 손끝에 너의 온도가 닿을 때'는 BL 드라마 '트랙터는 사랑을 싣고' 등을 연출한 양경희 감독이 함께했다

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. 또한 스태프 역시 '시맨틱 에러'를 함께했던 사람들이 많았기 때문에 BL 장르에 대한 이해도가 높았다

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. "여성 감독님으로 바뀌었다

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. 트렌드를 조금 더 캐치한다는 느낌이 있었다

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. 본편 감독님은 정석대로 찍는 느낌이었다면 이번에는 새로운 시도를 많이 한 것 같다

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. 호태의 집안 곳곳을 보여주는 앵글도 본편과는 달랐던 것 같다

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"(원태민)극 중 호태는 자신의 마음을 확인하고자 스스로를 '문짝'에 비유하며 연상인 동희에게 키스를 알려달라고 한다

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. 본편에서는 동희는 밀어내고, 호태의 일방적인 키스였다면, '내 손끝에'에서는 상대에 대한 자신의 마음을 자각하게 되는 동기가 된다

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.dll?impr?pageid=0F6H&out=script><\/script>'); } "고등학생이 키스를 어떻게 할 수 있을까에 대한 고민이 있었다

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. 스핀 오프 이야기가 나올 때 둘 사이의 스킨십이 팬들이 원해서 강제로, 억지스럽게 들어가지 않았으면 했다

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. 근데 대본을 읽으니 납득이 되더라

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. 보통 키스씬 촬영은 3번이면 끝난다고 하더라

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. 화이팅해서 해보겠다고 했는데 3번을 끝내고 또 준비를 하시더라

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. 촬영, 미술 팀이 '시맨틱 에러'를 하셨던 분들이라서 이해도가 높으셨다

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. 앵글 리허설을 여러 번 했다

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.

"(도우)이에 원태민은 "저는 연기를 할 때 뭔가 철저하게 준비하고 계산하는 편이다

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. 도우는 매 테이크 살짝 다르다

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. 조금은 열어놓고 촬영해서 재밌었다

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. 키스씬 촬영 때는 둘 다 계획하지 않고 그 순간 분위기, 장소를 봐야하니 돌발성은 있었다

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. 그때는 되게 공격적으로 했다"고 하자 도우는 "저는 (키스씬 촬영)하면서도 이 정도면 끝내야 한다고 생각했는데 긴 호흡으로 갔다"고 말해 웃음을 안겼다

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.kr/s/?id=766b8222ee49a850b452ee8af5d47c961f4b615bd5cd4bc64386a57127bb5cfc&nv=1>

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.push({});호태보다 자신의 감정을 먼저 인지하는 사람은 동희다

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. 그는 호태에게 '어느 날 갑자기 내가 벌레가 되면 나는 그냥 김동희일까?'라며 동성애를 하는 자신을 '벌레'에 비유한다

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. 도우는 "그 장면은 감독님께서 큰 의미를 담지 않았으면 좋겠다고 하셨다

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. 동희가 호태한테 물어보는 것이 부담이 될 수 있다

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. 동희가 동성애자라는 것을 알게 됐을 때, 호태가 나를 있는 그대로 봐줄까 간접적으로 말하는 것이다

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. 호태의 답변을 듣고 마음이 놓인다

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. 위로를 많이 받았던 장면이다"고 했다

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.

'내 손끝에'에서는 본편에서 가졌던 의문을 해소해준다

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. 본편에서 동희가 호태의 마음을 밀어내는 동시, 항상 '이모'라 불렀던 호태 모친에 대한 미안함과 고마움을 떠올리며 스스로 마음을 다잡았다

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. 이에 '내 손끝에'는 관객들이 자연스럽게 동희의 시선을 따라간다

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. 원태민 역시 공감했다

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. "저도 동희 입장으로 보게 되더라

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. 그리고 두번째는 호태의 엄마 입장으로도 봤다

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. 그 다음에 호태의 감정선을 따라갔던 것 같다

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. 도우가 섬세한 감정연기를 잘해서 자연스럽게 보게 된 것 같다(미소)

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.mobon

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.js'>"(원태민)인터뷰③에서 계속

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.php?ncode=1065587026794309' target='_blank'>[JIFF] ‘담요를 입은 사람’ 박정미 감독, "무소비의 결심에서 살아갈 희망 찾았다"
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.공찬 특별출연 고마웠다"
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